Friday, August 31, 2007

Not to Dis Domino,but..


I know many of you have been reading your latest issue of Domino cover to cover. Ok, me, too. I just happened to notice on the last page the ten things that make Roopal Patel happy. There is a very dear paper mache zebra head at Bergdorf's, where Ms. Patel works, for $2,250. Now, I'm not criticizing Ms. Patel or Bergdorf's, but get a load of this.


Some of you may be familiar with Olivia - a bit of a prima donna piglet who is dear to many readers young and old. You can find her a lot of places, but one of the best is the Reading Reptile in Brookside, walking distance from the Blandings.

Debbie opened The Reading Reptile in 1988 and Pete soon joined her in the business. It is a most fabulous place to go to find just about any children's book worth reading. It doesn't have that Mary Poppins feeling of Meg Ryan's bookstore in You've Got Mail, but the knowledge and intelligence of the owners are the same.

Anyway, Debbie and her children (whom she home/shop-schools) make these amazing - and I'm not kidding - paper mache sculpture that adorn the store. And they are quite unbelievable.




Characters from My Father's Dragon which is a "must read" according to my 7 and 10 year old boys.


A fuzzy shot from Where the Wild Things Are.

Growing up in Tulsa I went to Lewis Meyer's children's bookstore and thought it was wonderland. A book store for only children. They are fewer and farther between and when they spark the imagination like this - may be better than Bergdorf's.

post script - forgive the lack of linking on the books - Pete and Debbie would kill me for linking to you-know-who.

Thursday, August 30, 2007

Colorado on my Mind




Mr. Blandings, Sr. has asked for suggestions for a spit and polish for the Colorado cottages. Above is the main room of the main house. It's dark, but so many of it's elements are exceptional. The stone fireplace is a knock out; there is a similar one on the front porch. The wood beams are beautiful and graphic. The entire property is heavily wooded, which is wonderful and cool, but, again, dark.

The August '07 issue of House Beautiful offered a wonderful lay out which has become the "inspiration board" for the main house. Gil Schafer's work on this 1939 Connecticut lake house is fantastically fresh.


While the beams in the living room are outstanding, most of the woodwork is, well, just wood. In fact, some of it appears to be painted brown instead of stained. It would be great to leave the beams and the mantle and paint the rest of the woodwork white. And the walls. White. Buckets and buckets of white.





Sisal rugs would certainly lighten the floors, and as the house is only used in summer, they would not need to be replaced with something warmer in the winter.





The floors would be a great way to add color to the bedrooms without making them cave-like. A lot of the existing furniture in the bedrooms is - well, if I say 1940's green will you know what I mean? Not quite blue enought to be mint; not quite yellow enough to be citrus. The blue floor above would work great in the "honeymoon suite."


The back corner in the picture, top, used to have a banquette. Replacing it would be a nice way to bring in some more fabric and color.

Even if we don't paint all the trim, perhaps it would turn out something like this:















These images Cottage Living, May/June 2006


You know I trust your judgement; any and all suggestions are welcome.

East Cottage Concept


Let me refresh your memory of the East Cottage.




While the houses were built in 1911, they have a distict 1940's vibe. I'd love to keep that feel, maybe just a little cleaner, a little fresher.



My proposal will be sunshiny yellow walls - I'm not sure if we will paint the trim or leave it stained. This cottage is not as dark as the main house and Mr. Blandings, Sr. is struggling with painting the wood. Which I find typical for his gender. While there is plenty of furniture in both cabins, a new sofa will need to purchased for this living room. I'm thinking this yellow and white Lewis and Sharon outdoor fabric with a green contrast welt.



Milling Road, English Tight Back Sofa




Lewis and Sharon Lounge Stripe outdoor fabric, Buttercream, 19.98/yd


The existing wood frame chair (which I adore) in a fresh floral. Maybe...





Lewis and Sharon, Woodland in Fern, 13.98/yd


or something like it. There is also a leather chair which I'm not sure it staying. If it goes, maybe something like this:



Lewis and Sharon Slubby Linen in Moss, 19.98/yd


The kitchen floor needs to be replaced, but the white cabinets and a fresh coat of white paint should be great. I've found this green and white tile which should hold up well. There are odds and ends of some vintage china with a green and yellow floral that would look great on the wall.


Tiles and wall color.


Thoughts?

Wednesday, August 29, 2007

First Impressions

It's a bit of a cliche that your entry makes the first impression of what's to come in your home. But, sometimes cliches are cliches because they are true. I'm feeling mine needs a bit of attention. In that vein, here are a few of my favorites from over the years.


Traditional Home, 2002

I've got a little of this going on now, you know, if my house were on steroids. This looks so clean and fresh - I love the darker stairs and balustrade.



I love a red room, and while a red dining room is always yummy, isn't it great in the entry? I have a friend who has a very gracious entry hall in which she used this B&F Harrow Damask paper in one of the neutral color ways - so sophisticated.


House and Garden, 1998

Ceiling of the same home - this lantern is gorgeous. Check out Charles Edwards if you really want a little lantern-envy.


Architectural Digest

The entry as library would be particularly cozy if you had the space. Don't miss the needlepoint benches under the table. Greek key on the sides, floral on the top, nailhead trim. Devine.


I believe this room is Suzanne Reinstein.

Since yellow seems to make my heart sing, I fell in love with this room at first sight. The black and white floor is so graphic and classic. I don't think the appeal is just the little boy, although I've had a few of those around as well.


Elizabeth Locke's home, House and Garden, October 1997

Ok, here we go. This is in my top two. The floorboards, the gracious curve of the arched doorway and the duck egg color of the wall present the home and it's owner as a package you would like to know a little - or a lot- more about.


Gracie Wallpaper is special where ever you choose to hang it. It seems to me that we see it most often in dining rooms and bedrooms. And then there is this. I might never want to leave it, "Oh, I'd love some tea. No, no sugar. No, here's fine." Notice that there is no wainscoting; could you ever let your children go over there to play? This might be perfection. Yellow, I know. I can't stop looking at it.

Ok, and for the beach house...I never mentioned a beach house? Oh, well I don't have one, but I might. I mean, you have to be prepared for these things.


Elena and Doug Atkins home, Sag Harbor, NY, Elle Decor

Clean, fresh, L.L. Bean tote at the ready. I like these sea creature prints, in fact, I gave a friend one with eels for his Sag Harbor home after seeing an eel in the water by his house.


Southhampton, NY home, architecture John Mayfield, design Mariette Himes Gomez, Architectural Digest

I was captivated that this homeowner had a full Numbers series by Jasper Johns in his beach house. There's a good reason to get out of the city.

Tuesday, August 28, 2007

Back to School Shopping

The Blandings boys are back in school, so I went shopping! Last week, I stopped in to see Barbara Farmer and her new shipment at Parrin & Co. Barbara's pieces are always pretty and often striking. She carries antique and vintage pieces; it's total heaven, especially if you are a Francophile.


19th c. English pine - $2400.




White marble table lamps, $350/pr.


Circa 1950's $450.


Barbara's chic. Barbara's lovely. Barbara is not on-line. If you have a crush on something you see, give her a call at 816-753-7939.

Monday, August 27, 2007

Recognizing Genius


These images are from Elle Decor (but I'm not sure if it was US or the European version) in September of some unknown year. These are in my giant-flowers-on-walls folder as well and I thought you might enjoy them. The artist is Wouter Dolk, who is Dutch, but I believe currently living in Germany. Dolk uses an egg tempera on thickly textured paper. Take a minute to visit his web site - the images there are amazing as well. There is one installation in particular featuring red birds in trees inspired by the 18th c. artist Jacques Barraband that is hauntingly beautiful.

Sunday, August 26, 2007

Everything's Coming Up...Peonies

I know this isn't a peony - it's a chrysanthemum - be patient.

I tore this image from somewhere, likely Southern Accents, no less than a million years ago. I felt like I was inside the garden. Not looking at it, but a part of it. And, since I don't really like to go outside, my immediate thought was, "Someone should paint a room like this." So I saved it.

And then, one hundred thousand years later, I bought a house that has a peony hedge. They must have been pretty common in my neighborhood at one time, because several remain. If I were a flower, I might be a peony. You know, a little showy.
So, anyway, again in an unlabeled Southern Accents came this:



Oh, and then I turned the page.


So. I have this little powder room at the front of my house. Just to the right as you are looking at the front door.



Tiny. Almost no grown man could walk into it and turn around. (Warning: the sight of this bathroom might be offensive to some viewers. Please be advised.)


The concept is something like this - black, matte tile on the floor,



mirrored wall to the right with a marble ledge



and a tiny, tiny nickel bar sink



wall mount faucet,



and a diminutive chandelier my parents bought on their honeymoon in New Orleans in 1963.


And four-foot tall peonies on the remaining walls. Yes?

Friday, August 24, 2007

Civilized Graffiti


When I was little, I drew on the walls. Not once. A lot. An entire mural up the stairs. Many drawings on the walls of my room. An entire garden on Krissie Livengood's parents' bedroom wall - right over the bed. It was a masterpiece. Or so I thought, but my unknowing clients didn't always agree. As it turns out, I was ahead of my time.

This image and above, Traditional Home, March 2000

I don't know if this technique has a particular name, but it appeals to me so much. I've imagined doing it in a room, but also think it would be fabulous as decoration for a party.






It looks like you could accomplish this with one quart of paint and 30 minutes before carpool pick-up. These are the kinds of projects that get me in trouble.


Greg Jordan, who drew the back drop, promoting his Cartoon Collection, HB year unknown.

I have always wondered about gouache. It looks and sounds as if it would be dreamy to work with.




These drawings from the owners of "Atelier" in Hudson, NY.

If it seems daunting, there is a really great wallpaper available that would eliminate the risk.


"Frames" wallpaper, Graham and Brown.

On the other hand, when unable to find this fabulous paper, New Orleans designer Jill Dupre took matters - and marker - into her own hands.

Metropolitan Home, December 2006/January 2007.

My parents finally resigned themselves to my passion. They gave me a cup of pencils and told me I could draw whatever I wanted on the walls of my closet. What can I say? It was the 70's.