Last weekend we had a couple over for dinner and as my friend was coming in she pressed a bag into my hand. "I think you'll like this. I wonder if you have seen it. Hitchcock. The film is great, but I think you will get a kick out of the set decoration."
I hadn't seen it and neither had Mr. Blandings, so we popped it in the DVD player the following night. Hitchcock is such a delight. He was a thinking man's director as you have to pay attention and the nuances of his films are so engaging. Like a skilled dance partner, he leads you through the story but does not feel the need to push or drag.
The film takes place in the London flat of Margot and Tony Wendice played by Grace Kelly and Ray Millard. The set is heaven. An Anglophile's dream. The walls and trim are a creamy yellow or a yellowy cream depending on how you choose to describe it. The woodwork is detailed and lovely. Chinese ceramics add interest in lamps and objets.
Hitchcock was so conscious of detail. Kelly wore bright colors at the beginning of the film at his direction; her wardrobe transitioned to progressively more somber tones as the story unfolds.
The curtains and shutters play a major role in the plot and are beautifully crafted under the skillful eye of set decorator George James Hopkins. Hopkins had an impressive career. He was set decorator for sixty-six movies including Casablanca, Auntie Mame, My Fair Lady, Wait Until Dark and Hello, Dolly!Labels: Production Design